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Excerpt from The Sonnets of Shakespeare: From the Quarto of 1609 With Variorum Readings and Commentary?

The Sonnets of Shakespeare have a place beside the play of Hamlet in contention for the doubtful honor of being the cause of more perplexity and controversy than any other literary work in the English tongue. More persons, otherwise seemingly normal members of society, have thought that they were the first to understand one or the other of these works, or have professed to make illuminating discoveries regarding them, than could be computed as critics of any writing since the Iliad. If the present editor can come to the end of his task with any feeling of complacency, it is because he has spent some years with the Sonnets and still finds himself without a revelation. In other words, his complacency must be due only to the existence of some evidence that he is still sane – a poor substitute, no doubt, for the enthusiasm of the seer. It is the purpose of this volume, then, not to present a new theory of the Sonnets, but to bring together a body of critical material illustrative of them, sufficient for all the purposes of the less ambitious reader, and adequate to set the most tireless student on the track of what he wishes to know.?

The Bibliography is intended to serve as a convenient outline of the history of the text and its interpretation; but it may be well to say something here of the general course of this history. Though seemingly among the fairly popular lyrical collections of the seventeenth century, the Sonnets largely dropped out of sight toward the end of that century and through the greater part of the eighteenth century. The age, therefore, of the building of the modern text of Shakespeare’s plays saw no similar work accomplished for the Sonnets, which were not even included in any edition of the Works of Shakespeare (save in occasional supplementary volumes) until Ewing’s Dublin edition of 1771, and not again till Malone’s of 1790. It is to Malone that we owe, in effect, the acceptance of the narrative and lyrical poems as a part of the standard Shakespeare text; and it is also to him, in large measure, that we owe the modern text of the Sonnets. Practically all the well-known editors of Shakespeare of the nineteenth century, beginning with Boswell (but with the exception of Singer), paid due attention to the Sonnets, and, together with numerous lesser commentators, from time to time proposed improvements in the text; but it cannot be said that it was given to any later critic to add in a distinguished way to the textual work of Malone, -though it was given to a number of his successors to reject certain of his errors. Dyce’s conservative work on the text, in the Aldine edition of the Poems (1832) and in his Works of Shakespeare, should perhaps be mentioned. In 1866 the Cambridge editors (Clark and Wright) issued the ninth volume of their Shakespeare, containing the Sonnets, and gave for the first time something like a history of the text up to that period, which was brought down to 1893 in the revised edition.?

About the Publisher?

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at http://www.forgottenbooks.com?

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

商品訊息簡述:

  • 作者: Shakespeare, William
  • 原文出版社:Collectors Library
  • 出版日期:2016/08/10
  • 語言:英文

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http://www.books.com.tw/exep/assp.php/vip–af000073515/products/F013787515

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2015年01月07日 07:56

影劇中心/綜合報導

港星吳孟達先前因為心臟衰竭進入加護病房,爆瘦15公斤,出席2014年金馬獎時整個人明顯瘦了一大圈,但氣色不錯。其實他15年前就因健康問題在鬼門關前走了一回,現在又撿回一命,決定接下來好好養身體,暫時停止接戲。

據《蘋果日報》報導,吳孟達15年前因為糖尿病差點要截肢,當時卻不以為意,大魚大肉不忌口,一直到某次拍戲看到化妝師在哭,一問之下才知道人家老公有糖尿病將截腿,才開始注意飲食,現在連菸跟酒都戒了。

▼吳孟達(右)2次命危瀕臨截肢,暫停接戲靠存款過活。(圖/康康臉書、攝影組)

在2014年一段傳出命危的吳孟達,坦承當時接受檢查時,被醫生告知心臟節奏不對「隨時需電擊」命危,入住加護病房,看著旁邊戴呼吸維生器和哭天搶地的家屬,他決定轉到獨立病博客來 信用卡房,代價是需要背一台大機器在身上,有次為了上大號脫下機器,馬上被護士關切。

吳孟達最近為好友康康執導的《十萬夥急》演出,還cosplay化身李小龍,當時受邀演出,連片酬都沒問,完全是義氣相挺,讓對方很感動。15年前他因為來台宣傳《偷龍轉鳳》認識了這個好友,就算拖著大病初癒的身體也全力支持。但為了健康著想,他接下來不再接戲,要用存款度日。康康嘆此恩情這輩子還不了,並打包票,如果吳未來生病沒有收入,就由他來照顧。

▼吳孟達(左)最近為好友康康執導的《十萬夥急》演出,接下來要暫停接戲好好養身體。(圖/華映提供)

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